When seeking for the best person to work for your IRS debt help, it is important not to decide right away so that you can be sure that your payments are going to be worthwhile. Aside from researching and asking recommendations from your loved ones or friends, you also have to make an effort of comparing the credentials of these tax professionals. Basically, tax professionals like public accountants and lawyers are licensed and well experienced; but their training types and expertise are not the same. Just like if you’re a new entrepreneur looking for the right small business opportunity, you need the right tools. If you ask for their credentials, they will always show you their good side and …
Last May 2, a little-known literary quarterly knocked the New Yorker–not to mention a clutch of other magazines–off its perch when it took home the National Magazine Award for best fiction. Published in newsprint, the journal, Zoetrope: All Story, was launched less than five years ago by filmmaker Francis Ford Coppola. In the insular world of New York media, the victory was a shocker, and came with a price.
As it turns Out, Adrienne Brodeur, editor in chief of Zoetrope, has a story with a fairy-tale quality all its own. After prep school and Columbia, the blond, willowy Brodeur moved to San Diego and married young. She worked in local government, rising to chief of staff for the county …
Changes in the newspaper industry have opened opportunities for writers who can understand the market. Here’s what you must know to break into today’s newspapers.
The daily and weekly newspapers published in 2015 are significantly different from the straight news and plain gray pages of past decades. (There’s even color on the front page of The New York Times!) One thing that hasn’t changed, however, is newspapers’ need for freelancers to help fill their pages.
But not just any freelancers. To get your byline thrown onto porches all around town, you must understand how newspapers have changed in the 2000s and how those changes affect the way you must write for them. You can also try blogging for fun, or in order to make money, which is the main topic of IHelpYouBlog.com.
What’s New in Newspapers
How GVG got involved with the movies is a story close to any exhibitor’s heart. “With some of our products, we have long been connected to the post-production side of filmmaking,” explains Beth Bonness, GVG’s director of digital cinema. “Working on the high-definition version of our Profile digital-video server, one of our engineers, who had been reading up on the latest developments in digital-cinema projection, suggested that we develop this technology further and leverage it for this emerging sector.” As it turned out, the person responsible for this insight used to be a projectionist of good old-fashioned 35mm film. As an engineering student, Dr. Jim Clark worked in college theatre booths, running tandem projectors with synchronized-transition, 5,000-foot reels and even carbon-arc light sources on some of them. How could he not miss celluloid? “It was a second job for me,” he says, “so it was a fin challenge to show up for a new movie with 30 minutes to spare and get everything spliced together correctly What I miss is running individual reels and synchronizing the transition from one reel to the next.”
Many experiments and technical upgrades later (including digital upgrades), the Emmy Award winning GVG Profile XP Media Platform now accommodates full-length feature films on a single server, with enough storage capacity to run movies of Titanic-size proportions. No more juggling of reels–or even computers, for that matter. While previous digital presentations for multiple screens have featured several servers routing the same signals to different theatres, Jurrasic Park III plays from a single Grass Valley digital-cinema server. The technical key is that up to four channels can be routed to as many theatres in an appropriately networked multiplex. Continue reading
Submitting to editors who claim to want “experimental” fiction can be tricky. One editor may simply be looking for stories that are “fresh and creative; something I haven’t seen before.” Another may mean fiction “way outside the box” and “on the cutting edge”; stories written without restraint and without regard to writing conventions.
Ronald Sukenick, editor of Black Ice, noted for its “edgy” fiction, says “experimental fiction breaks away from the very narrow literary formula commercial writing usually imposes. When you break away from that, you open your fiction to a spectrum of possible styles and forms and release yourself of the taboos that hold those forms in place.”
Sukenick suggests to his writing students at the University of Colorado…
Statistically, the film board counts openings resulting from both new construction and reopenings after upgrade and remodel. Nevertheless, only 108 new screens were added from January to June (236 in 2000, 448 for the full year). In the old Bundeslander of the West, a mere 68 opened (188 in 2000), while the Eastern federal states counted 40 over 48 screens. Of the 4,738 screens, 3,813 are located in old states and 925 in the Neue Bundeslander of the East. Closings remained stable at 153, with a slight shift from West (133 vs. 135 in 2000) to East (20 vs. 18). Broken down by size, only five new multiplexes opened with 44 screens and 10,735 seats as opposed to 13 that …
I got a call the other day from an editor of a magazine I never knew existed, asking me to give a speech to a whole group of editors of magazines I never knew existed. But this is more a reflection on my ignorance than on these editors or their magazines: Evidently there were enough of them to pull together a convention at a very nice resort in Colorado.
This particular group of editors shepherded the publishing of magazines for fraternities, sororities and other such societies. Turns out, there are quite a few such magazines — which shouldn’t be so surprising, if you think about how many such organizations there are. And they have at least modest budgets. Most have…
While the night is all about congratulating distributors on their success, the convention is perhaps more about distributors thanking exhibitors for helping them attain that success and encouraging the partnership to continue. There are always a lot of good-humored digs at colleagues and competitors alike. Said UIP Australian managing director Mike Selwyn during his presentation to exhibitors: “UIP is committed to the whole exhibition industry, even those we think should be committed.” Said BVI managing director Alan Finney–and current MPDAA chair–during his: “No, Monsters Inc. is not a documentary about the MPDAA companies.” Or take this expression of thanks to the awards sponsor and the company Australian managing director of Columbia TriStar Films, Stephen Basil-Jones, regularly has to negotiate terms with: “It is important that you kiss the feet that are attached to the legs that are attached to the arse that you have to kiss next week. So thanks to Hoyts.”
This year, the convention attracted over 700 people to the Royal Pines Resort on Queensland’s Gold Coast between August 14 and 18. Each of the major distributors spent several hours presenting trailers, talking about upcoming product, and then screening a feature. Those shown were UIP’s Rat Race, BVI’s The Others, 20th Century Fox’s Legally Blonde (the debut feature from Australian-born Robert Luketic, who was in attendance), Columbia TriStar’s America’s Sweethearts and the independent feature Peter And Vandy.
While there was Continue reading
Web zines — that is, magazines posted on the World Wide Web and accessed via your computer, modem and Web browser — have matured in the past year, becoming fast, alert and ad-heavy. And an opportunity for freelance writers.
Many print magazines publish Web versions and hire freelancers to write Web-only articles. Content providers like Microsoft Network and America Online sub-contract with entrepreneurs to put together online-only publications that require a lot of new writing. And some recent start-ups, backed by excited venture capitalists, are electronic magazines that appear only on the Web.
Web zines want up-to-date reporting (lead time is typically a week or two), reviews, personal opinions and arguments on just about every subject covered in print. Their…